The Work of Maryna Denysenko for the Instrumental Bandura Performance: The Aspects of Timbre and Sonority

This study considers modern instrumental and vocal-instrumental bandura performance with regard to the aspects of timbre sonority. The latter influence innovative experiments in field most. Modern compositions for are marked by expansion ofstylistic attributes; use a wide range new techniques elements polystylistics, classical genre prototypes, most recent technologies (aleatorics, cluster, layered polyphony, sonorism, etc.). These explorations also characterized deeply individual artist’s idea, discoveries technique, often determined sound concept composition. It should be noted that its form (namely, Chernihiv Lviv chromatic prototypes) is relatively instrument. has undergone significant transformation over centuries: from an accompanying one instrument broad expressive potential stylistic solutions interpreting discourses. Its dynamic development evident decades, when bandura, because potential, happened on forefront compositional experimental approaches. increased attention composers diversity, changeability, length, etc. encourages performers experiment ways sound-producing. well-known Ukrainian composer Maryna Denysenko (1962–2022) worked productively this direction. Her work testifies sonorous expressiveness along expanding changing emphasis traditional approaches performing. In her works, significantly modernizes performing performance, while at same time modifying established ideas about models art timbre/ sonority academic bandura.